CME UFS MIDI KEYBOARD DRIVER DOWNLOAD

The UF5 is very solidly built and has some inventive performance features. These click satisfyingly when you press them and help you to cut down on your mouse time, which is always a good thing. We like the idea of multi-use faders and rotaries, and the transport controls are very useful. This makes it much heavier than its similar-sized contemporaries, but also more robust. Each keyboard offers the same MIDI control features but has a different number of keys. CME’s MIDI controller keyboards are designed to be hardy enough to withstand the rigours of life on the road yet also provide enough functionality to merit inclusion in a home studio setup.

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Our Verdict A heavy-duty controller with great keys. The semi-weighted, synth-action keys are heavier than you’ll find on any other controller in this price range and feel great in use.

This makes it much heavier than its similar-sized contemporaries, but also more robust. The usual collection of connections lurks around the back of the UF5.

These click satisfyingly when you press them and help you to cut down on your mouse time, which is always a good thing. However, it lacks user presets and there’s no software editor. Exhibiting a curious combination of modern and retro styling, the angular, contoured chassis is made entirely from metal.

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Optional FireWire expansion board: The lack of any easy editing software might put some people off, but the UF5 is perfect for those who want a keyboard for the stage as well as the studio. Pros Brick out-house build quality. A heavy-duty controller with great keys. CME’s MIDI controller keyboards are designed keybozrd be hardy enough to withstand the rigours of life on the road yet also provide enough functionality to meyboard inclusion in a home studio setup.

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The functions of the sliders and rotaries can be set using the buttons next to them. The sliders can be assigned to control volume levels for channels andand controller jidi of your choice, effectively giving you 24 sliders worth of control. To the left of the controller is a collection of chunky Transport controls.

The UF5’s top surface is peppered with controllers. We’re looking at the four-octave UF5, the smallest model in the range. The sliders’ design is less orthodox – these are all set flush with the controller’s surface and therefore it doesn’t matter that they’re packed tightly together.

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Several other momentary buttons give you direct access to a range of functions. The only problem is that they’re positioned too close together.

The UF5 is very solidly built and has some inventive performance features. We like the idea of multi-use faders and rotaries, and the transport controls are very useful.

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Each rotary can operate either a designated function – such as pan – or a user-assigned parameter. Each of these controls has at least one preset function and this is printed next to it on the chassis.

Each keyboard offers the same MIDI control features but midu a different number of keys.

There are buttons, a cms panel, nine rotary controls and nine sliders. The rotary controls are tactile, centre-detented offerings that operate smoothly.

Four velocity curves are provided and aftertouch is supported, too.